DELETE ALL OF MR. LE DUC’s ALL UPPERCASE INSTRUCTIONS DETAILED ABOVE
Summary
IN ONE TO TWO SENTENCES, DESCRIBE WHAT FILM YOU ANALYZED FOR THIS PROJECT AND WHY YOU CHOSE IT
DELETE ALL OF MR. LE DUC’s ALL UPPERCASE INSTRUCTIONS ABOVE
Film Analysis
Do The Right Thing
PLACE YOUR RESPONSES IN THIS COLUMN (DELETE THIS MESSAGE BEFORE YOU WRITE)
Year
1989
Director
Spike Lee
Country
USA
Genre
Drama/Comedy
If you could work on this film (change it), what would you change and why?
I think I would have changed how this movie was in one day. I would have made it more evident to the viewer that it was one single day than having a span of several things that made it seem like it was more than one day.
As you view films, consider how the cuts, camera angles, shots, and movement work to create particular meanings. Think about how they establish space, privilege certain characters, suggest relationships, and emphasize themes. In addition to shot distances, angles, editing, and camera movement, note details of the narrative, setting, characters, lighting, props, costume, tone, and sound.
6. What “happens” in the plot (Brief description)?
7. How does the film influence particular reactions on the part of viewers (sound, editing,
characterization, camera movement, etc.)? Why does the film encourage such
reactions?
9. How are the characters costumed and made-up? What does their clothing or makeup reveal about their social standing, ethnicity, nationality, gender, or age? How do costume and makeup convey character?
10. How does the lighting design shape our perception of character, space, or mood?
12. What is the music’s purpose in the film? How does it direct our attention within the image? How does it shape our interpretation of the image? What stands out about the music?
Example: “The Shawshank Redemption Movie Review (1994) | Roger Ebert.” All Content. N.p., n.d. Web. 24 June 2015.
15. Select one scene no longer than 5 minutes that represents well the whole film and shows relevant cinematic elements. Write a one-sentence description of the scene and record the time of the scene.
Example: from 1:05:00 to 1:10:00.
Explain why you chose this scene.
PLACE THE TIME STAMP FROM THE SCENE HERE… Example: 00:00:00 – 00:05:00
16.In the selected scene: write a sentence for each of the elements below to justify why this scene best represents the film:
Home – Moves cursor to the beginning of the timeline
I – In-point
O – Out-point
; – Lift (leaves a gap)
‘ – Extract (fills the gap)
B – Ripple edit tool
Up Arrow – Moves cursor to the left edit
Down Arrow – Moves cursor to the right edit
Left Arrow – Moves cursor to the previous frame
Right Arrow – Moves cursor to the next frame
Cmd, Shift, D – Crossfade
Number Pad – Moves cursor to a specific location on the timeline
A – Selects all tracks forward
. – Drops a clip into the timeline
Opt, X – Clears all in-points and out-points
Techniques / Tools
Collating Files and Storyboard
Plan:
Workflow:
Project Skills Evidence
What I Learned
Having a good amount of editing experience in the past I was expecting to go into this knowing everything that would be thrown at me but I discovered the nitty-gritty specifics of how to make a fluid and strong interview. Using the morph cut and B-roll for the first time proved to be valuable and I am looking forward to using these in the future.
DELETE ALL OF MR. LE DUC’s INSTRUCTIONS DETAILED BELOW AFTER COMPLETING THE
SUMMARY
Role
Songwriter/Vocals/Mixer
Intention (SMART Goal)
By, as part of my goal, I will complete at least one or two songs for my album. I will be using inspiration from the different bands I’ve listened to. This will be my first project for group 2
By October 14th, as part of team # as cinematographer, I will have evidence of intentional lighting by following the 8 Steps to Cinematic Composition for session1
Ways of Thinking (Creativity, Innovation, Critical Thinking, Problem Solving)
We figured out what and where we wanted to film and it took some time to figure out the footprint of where and what we wanted to do for our film. We struggled with some of the clips of our film where a part of our film where the chocolate was thrown we ended up accidentally breaking the chocolate.
Ways of Working (Communication & Collaboration)
I communicated with my team about what we needed to do, how many cameras we would need, and how everyone should have fun in the film together. I also let my team know the days we would have the best time to work and when I was gone from school which I informed them about. I had Jimmie help with filming with the several cameras so I didn’t have to juggle things on my own.
Tools for Working (Info & Media Literacy)
I used my cellphone to take pictures of where we were gonna put our tripods so we could film in the same spots we practiced putting our cameras and did fake scenes for our film so we would know what we wanted to finish for our film instead of filming not knowing what we were gonna do.
Ways of Living in the World (Life & Career)
This helped me learn more about film and how we can develop more of what we wanted to do for our film instead of filming right away and just doing takes that weren’t as serious as my past films. We worked hard communicating with each other and what we needed in our film which helped me express my part in our film.
Reactions to the Final Version
The film was really put together, and the cinematography went well together – James Clark
Self-Evaluation of Final Version
I am really proud of our film and what we made. We all worked together really well with communicating with each other for our film and what we need and it was really helpful being able to not know what we were doing and had a game plan. We were determined to finish our film even if we couldn’t get some parts of it.
he used over million of dollars to get her in movies and her name was Marion Davies
Hearst invented private lives behind of celebrities which people asked how he could do that but he just wanted to make money
Hearst at 73
FUN FACT: Orson Welles, he gave away his Oscar. Welles won the Oscar for Best Original Screenplay for Citizen Kane in 1941. While filming The Other Side of the Wind in 1970, which was never finished, Welles was unable to afford to pay his cinematographer Cary Graver. He gave Graver his only Oscar as payment.
By May 27th, I will have written one song that I want to put on my ep/album. I will be able to achieve that by songwriting, looking at Love me more by Sam Smith, and drawing inspiration from that. I will do this by practicing and writing down and finding the right guitar chords to play to my song.
PRE-PRODUCTION – INQUIRY
PRODUCTION – ACTION
Student Copy of Film Clip
Skills Commentary
POST-PRODUCTION – REFLECTION
21st Century Skills
Ways of Thinking (Creativity, Innovation, Critical Thinking, Problem Solving)
I had a hard way of thinking of lyrics that fit me but I realized that if I played around with the words I wanted to put in the song, they would work together. I think that was a very beautiful way to my way of poetry.
Ways of Working (Communication & Collaboration)
I worked on this alone song but I think a beautiful way I worked around my writer’s block is just writing any little idea down or recording it
I worked towards just showing what my final product was and how to present it and be okay to finally show the final result of just having a fun time, letting loose, and not being so tough on myself.
Reactions to the Final Version
n/a
Self-evaluation of Final Version
I’m very proud of what I’ve been able to produce as a song, it’s been a while since I wrote a song to start to finish so I think this project was very helpful to get out of the writer’s block I’ve been in.
DELETE ALL OF MR. LE DUC’s INSTRUCTIONS DETAILED BELOW AFTER COMPLETING THEM
SUMMARY
Role
Songwriter, vocals, guitarist
Intention (SMART Goal)
By May 27th, I will have written one song that I want to put on my ep/album. I will be able to achieve that by songwriting, looking at Love me more by Sam Smith, and drawing inspiration from that. I will do this by practicing and writing down and finding the right guitar chords to play to my song.
By May 10th as part of team 1, I will show evidence of Recorded ADR &/or Sound Effects in Premiere Pro or WeVideo by following the instructions in ADR for Beginners
I will show evidence of Recorded ADR &/or Sound Effects in Premiere Pro or WeVideo by following the instructions in ADR for Beginners
POST-PRODUCTION – REFLECTION
21st Century Skills
Ways of Thinking (Creativity, Innovation, Critical Thinking, Problem Solving)
I missed a ton of school, and I communicated to my team that I wouldn’t be there. Granted we were doing ADR and they would have needed sound for the last week and I made it there. Thankfully the sound was okay ish.
Ways of Working (Communication & Collaboration)
Tools for Working (Info & Media Literacy)
Zoom audio Deck & fuzzy microphone
Ways of Living in the World (Life & Career)
This showed me that even with having a short amount of time cause I missed several days, we have to continue to keep doing the work that was left when I first started it and make it by the due date cause it’s important. I’m glad we met the deadline and got to finish all the work we needed as a team.
Reactions to the Final Version
“Sound was quiet but it was overall a pretty okay” – Evan
“Louder sound in the film and equal out the volume” -Bryce
“letting sound be more natural and not too fast” -Peter
Self-Evaluation of Final Version
Given the time I had to get the sounds and did not know how to use the tech to record. It was super decent for the first try and I’m proud of it. For my first time being a sound designer was a really go try. Doing this project made me realize the fun I have doing a different role.
In my group, I took pictures of the people who were recording the audio files.
Audio Terms and Definitions
Sound Wave
A vibrational disturbance that involves the mechanical motion of molecules transmitting energy from one place to another.
Compression
Reducing a signal’s output level in relation to its input level to reduce dynamic range.
Frequency
The # of times per second that a sound source vibrates, is expressed in hertz (Hz).
Hertz
Unit of measurement of frequency; numerically equal to cycles per second (cps).
Infrasonic
The range below the frequencies is audible to human hearing.
Ultrasonic
The range above the frequencies of human hearing.
Pitch
The subjective perception of frequency – the highness or lowness of a sound.
Fundamental
The lowest frequency a sound source can produce. In other words, it is also called the first harmonic or primary frequency which is the lowest, or basic, pitch of a musical instrument.
Sound Frequency Spectrum
The range of frequencies audible to human hearing: about 20 to 20,000 Hz.
Octave
The interval between the two frequencies that have a tonal ratio of 2:1.
Bass
The low range of the audible frequency spectrum; is usually from 20 to 320 Hz.
Midrange
The part of the frequency spectrum to which humans are most sensitive; is the frequencies between roughly 320 Hz and 2,560 Hz.
Treble
The frequency range between roughly 5,120 Hz and 20,000 Hz, the highest two octaves audible to human hearing in the sound frequency spectrum.
Equalization
A signal-processing device that can boost, attenuate, or shelve frequencies in a sound source or sound system.
Amplitude
The magnitude of a sound wave or an electric signal is measured in decibels.
Decibel (dB)
A relative and dimensionless unit to measure the ratio of two quantities.
Wavelength
Distance between two peaks of a wave
Velocity
Speed in a given direction
Harmonic
Is a multiple of the fundamental frequency
Phase
Factor in the interaction of one wave with another, either acoustically or electronically